![]() Given the shared evolution between anime film and television and the aforementioned significance of the home video revolution, this list includes not only traditional features but also original video animations (OVAs) made for home video and anthology films-with the stipulation of each entry having at some point premiered in theaters. To that end, Paste is proud to enlist the curatorial talents of Jason DeMarco, on-air creative director of Adult Swim and co-creator of Toonami, whose unique role in anime’s emerging popularity in the West has helped to hone this list to its best. This list of the top anime movies is an attempt to do just that: to create a primer of one hundred of the most influential and essential films that Japanese animation has produced offer a thorough aesthetic, technical and historical breakdown of why these films matter. But where does one begin to tackle the aesthetic and historical precedent that anime film has left on pop culture and global entertainment in the last century? Anime film owes much to the evolving means of production and distribution throughout the late 20th century, the breadth and audacity of the medium’s content widening and contracting along with its running time to cater to the emerging palettes of audiences both new and old, at home and abroad. ![]() The arrival of home video catapulted anime to its commercial and aesthetic apex, fanning outward from the island nation of Nippon to the far shores of North America and back, before again being revolutionized by the unprecedented accessibility of the world wide web throughout the nineties and early aughts. Television expanded the medium during the 1960s, birthing many of the essential genres and subgenres that we know today and forming the impetus for the anime industry’s inextricable relationship to advertising and merchandising from the 1970s onward. Anime has morphed through countless phases-from amateur efforts, to nationalist propaganda fodder, to niche cultural export turned eventual global phenomenon-each iteration conforming to the shape of the times in which it was produced. From the five-minute shorts of Oten Shimokawa in 1917, to the feature-length anime movies produced during World War II, to the pioneering production cycles of Tezuka in the ’60s and the auteurist innovations of the likes of Miyazaki and many others towards the latter half of the last century. This redub has attracted some ire from some due to the cult status of the original dub, not helped by the fact that, unlike most Sentai redubs, the original dub is not included on their release.Anime, despite being one of the now-most ubiquitous cultural properties of the 21st century, is especially difficult to define, owed to over a century’s worth of the medium’s evolution and reinvention. The film was released on Augon Blu-ray and DVD with a new English dub. On April 16, 2015, Sentai Filmworks announced their license to the film in North America for digital and home video release. In 2000, Urban Vision Entertainment, the US production partner and distributor of Vampire Hunter D: Bloodlust, re-released the OVA on a ‘Special Edition’ bilingual DVD on October 17 containing the original Japanese audio and a Dolby Digital 5.1 remix of the Streamline dub, as well as releasing dubbed and subtitled versions of the film on VHS. Vampire Hunter D is considered a flagship title for Streamline, and was marketed in the US as ‘the first animated horror film for adults.’ The film was also shown several times on American television during the 1990s, including on TBS, Cartoon Network and the Sci-Fi Channel. ![]() The film was originally released in English by Streamline Pictures, and was shown on the fine-arts theatrical circuit in the US in August 1992 and later released on VHS on March 26, 1993.
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